Fred Lerdahl's music is recognized for its striking ideas, elegant craftsmanship, expressive depth, and original formal procedures. His work seeks and achieves both complexity and intelligibility. It is committed to the exploration of new territory while maintaining links to the classical tradition.
Lerdahl's music has been commissioned and performed by major chamber ensembles and orchestras in the United States and around the world, and he has been resident composer at leading institutions and festivals. His music is published by Schott Music Corporation and has been widely recorded for various labels, notably Bridge Records, which is producing an ongoing series devoted to his music.
His seminal book A Generative Theory of Tonal Music, co-authored with linguist Ray Jackendoff, is a founding document for the growing field of the cognitive science of music. His subsequent book, Tonal Pitch Space, which extends ideas developed in the earlier book, won the 2003 distinguished book award from the Society for Music Theory and an ASCAP-Deems Taylor award. A third book (in progress), Composition and Cognition, based on his 2011 Bloch Lectures at UC/Berkeley, will bring together his dual activity as composer and theorist.
Lerdahl studied at Lawrence, Princeton, and Tanglewood. He has taught at UC/Berkeley, Harvard, and Michigan, and since 1991 has been Fritz Reiner Professor of Musical Composition at Columbia, where he directed the composition program for 20 years.
Lerdahl is a member of the American Academy of Arts and Letters. Three of his works composed since 2000--Time after Time for chamber ensemble, the Third String Quartet, and Arches for cello and chamber orchestra--have been finalists for the Pulitzer Prize in music.